The “ghost setting” on the XLR 53 Nikon was intended, it seems, as a stunt designed to capitalize on the setting fetish that characterized the shift from analog to digital. Only three prototype cameras were manufactured, and of those only one managed to be smuggled out of on the Nikon head offices in Konan, Minato-ku, Tokyo. The footage is banal, except that the camera picks up audio frequencies undetected by the human ear. There is so much sound, fanged all around, not wanting to be found. Is it any wonder that the camera was scrapped, with a tag-line like that? In any case, the LS archives are in possession of 22 clips extracted from the only surviving camera. This is clip #3, with the ghost setting “on,” picking up frequency scraps otherwise undetectable.